French Provincial Couch – Miss Mustard Seed’s Milk Paint

The story of my red velvet, French Provincial style couch began when an Instagram photo popped up on my feed advertising a single seater red velvet armchair for $40 via Virginia Antiques, in Brisbane. I had just dropped the kids to school and it was one of those days where I didn’t have a lot planned apart from coming back home to paint, so I took the drive over to the north side to take a look. The chair was torn on one arm and the foam was damaged a bit, but I couldn’t pass it up. He then showed me this 3 seater he also had in his shed, that he was trying to get rid of – so for a total of $90 for the two chairs I made the call to my husband (my van guy) who picked them up for me.

I showed you in my last blog post, these sofas were my inspiration (via Pinterest) as far as colours I wanted to aim for:

I began by removing staples on the single couch – millions of staples … okay, maybe thousands, but this task became all too much every now and then, so big breaks (like days) became normal! I took photos of the way things all fit together, hoping that I’d figure this whole upholstery thing out – what was I thinking?!

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I mean, I’ve done a few basic upholstery jobs, but nothing like this – and look at all that tufting! So I called a lady from our church, who I learned, did upholstering, sent her a pic and asked if she was interested in helping me finish my sofas. She loved the ornate detailing of the French Provincial style and loved the idea of the challenge, so basically, she saved my LIFE! LOL.

Meet Shar – she is wonderful – the end.

She helped pull out LOTS of staples and here is a pic of her with the single seater after I’d painted the frame in Miss Mustard Seed’s Milk Paint – colour, Grainsack. All ready for Shar to do her upholstery magic.Meanwhile I tackled the 3 seater couch, using Sandi Hands Sanding gloves to easily remove the old varnish which was quite chipped and worn. I didn’t mind a bit of timber showing through after painting, but the sanding prep was important to me to get a nice smooth even finish on the paint work.Removing the ‘gimp’ or trim, is the easy part. It is usually just glued on and so came off by just pulling it away from the fabric.The staples were, like I said, EVERYWHERE. So these two tools were my best friends: A staple remover (top in pic below) and a pair of pincers (bottom in pic below). These, along with a small screwdriver every now and then to dig under staples that were too far embedded for the staple remover to get under, were my tools of trade for this task.We were kind of on a time limit, since my husbands sister and her family (5 of them) were coming over for Christmas and I wanted to try and get this couch done before they came. My mum and sister came over to help me clean one day, and that afternoon I found them digging staples out furiously, and before I knew it, the 3 seater was half done! Champions, they are!Here is the single seater after two coats of MMSMP Grain Sack, before I sanded back to distress and waxed with Antiquing wax. In the picture below, you can see I have used MMSMP Antiquing Wax to highlight the details on the right hand side, compared to the left side, which has not been waxed yet.Here is a close up of the antiquing wax side – just a subtle amount, caught in the crevices, can change the whole look of your piece, highlighting the details.I opened a new jar of Antiquing Wax, and after detailing the whole 3 seater, this is how much I had used, so as you can see, I don’t go overboard. I personally hate wastage.As I went along with the Antiquing Wax, I also used some clear MMSMP Furniture Wax to wipe away the Antiquing Wax from the parts where I didn’t want so much dark and grungy, mostly along the high edges and flat parts, keeping the dark in the grooves.

Here’s a video below, of how I actually use the Antiquing Wax on this piece of furniture. You can see more video tutorials on my .

After painting and waxing was finished, I handed over the project to my upholstery expert, who completed the makeover. When picking out fabric, we found a charcoal colour I liked in a fabric she hadn’t used before, but looked as though it might work well, as it was a microfibre type of weave, making it thinner and easier to form around the buttons for the tufting. At the time I went to purchase it, it happened to be on sale! I love it when that happens! However, the fabric did turn out to have some limitations. Shar began to work with it to cover the buttons and called me in a panic – the fabric was fraying like crazy and becoming impossible to use for the self covering buttons we were trying to make. AHH, what to do? She suggested using a contrasting black fabric, since we were using a black gimp trim around the edges anyway. I decided that was a good compromise, as the buttons are so deep you really don’t notice them anyway. Shar ended up having to also use a hot knife to sear the edges of the fabric to stop them from fraying as she worked. So keep this in mind if you do choose to use this type of fabric for anything.

But the results are lovely, and here are the finished chairs:

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